SCENE 01 / LED LIGHTING SYSTEMS
LED Lighting Systems
Professional LED lighting packages for film, TV, and commercial production across Brazil.
Here is how this works in practice. LED lighting systems have transformed film production with their energy efficiency, low heat output, and tunable color. In Brazil, LED technology is widely deployed at Globo Estudios in Rio and São Paulo production hubs, delivering high-quality, flicker-free lighting with precise control over intensity, color, and effects for any shooting environment.
Here is the short of it. We source LED lighting systems from top manufacturers through Brazilian rental partners like Quanta Cine and Movie Biz, matching your gaffer's specs with ready inventory. Our team sets up fixture selection, control systems, and accessories to give a complete LED package that integrates smoothly with your overall lighting plan.
Capabilities
LED Lighting Solutions
From compact interview kits to large-scale studio installations, we provide professional LED lighting equipment with the color accuracy and control modern productions demand.
01
Cinema LEDs
- ARRI SkyPanel series
- Aputure 600d/1200d
- Litepanels Gemini
- ARRI Orbiter systems
- Large panel arrays
Cinematic Power
02
RGB & Effects
- Full RGB control
- Astera tubes and bulbs
- Quasar Science tubes
- Pixel-mapped fixtures
- App-controlled systems
Creative Color
03
Portable LED
- Battery-powered fixtures
- Compact interview kits
- Run-and-gun packages
- Travel-friendly systems
- Quick-deploy setups
Mobile Solutions
04
Large Scale
- Studio installations
- Cyclorama lighting
- Greenscreen systems
- Event and stage
- Architectural integration
Major Productions
On Location
ARRI SkyPanel S360 / S60, Orbiter, Aputure 1200d Pro, Nova P600c, and full Astera Titan tube ecosystems for narrative, commercial, and broadcast work across Brazil
Here is how this works in practice. Brazilian LED inventory has scaled hard since the 2018–2024 Brazilian-feature renaissance (Bacurau 2019 Cannes Jury Prize, I'm Still Here 2024 Best Foreign Lang Oscar nom). Our standard cinema LED stack runs ARRI SkyPanel S360 / S60 / S30, ARRI Orbiter with full optic-kit (open-face, fresnel, projection, dome), ARRI L7-C / L10-C fresnels, Aputure LS 1200d Pro / 600c Pro / 600x Pro daylight units, Nova P600c and P300c soft RGBWW panels, Litepanels Gemini 2×1 / 1×1 and Astra 6X, Quasar Science Rainbow 2 / Crossfade tubes, and full Astera Titan + Helios + Hyperion tube stocks for narrative practical and music-video work.
Here is what that looks like on the ground. On the ground, Aladdin Eye-Lite 200 W and Bi-Flex M3 fabric panels cover interview and beauty work. Wireless DMX runs LumenRadio CRMX and sACN through GrandMA3 onPC and Hog 4 PC consoles. Inventory flows through Cinerent Brasil, Camera Rental Brasil, Quanta Post São Paulo, Conspiração Filmes Rio, and JL Camera. Cross-border SkyPanel S360 / Vortex8 packages land via Sigma Cine LA inside 12 hours direct GRU / GIG when stage-feature loadouts blow past local stocks.
Here is the short of it. Tropical humidity (80–95% Rio / Salvador / Recife / Manaus year-round) is the single biggest hidden risk on Brazilian LED work. This covers cheap LED drivers and switching power supplies will pop on damp coastal sets after 3–4 hours, so each kit ships with desiccant cards in the heads, silica packs in the road-cases, dew-point logging on-set, and IP-rated rain covers (Rio summer Dec–Mar gets afternoon storms on a daily clock). Bates 100A and 60A camlock distribution with Honda EU70is silent portables handles exteriors. Full Stamford-trailer power runs for stage.
Here is how the picture comes together. On the ground, Globo Estúdios PROJAC and O2 Filmes São Paulo are the LED-Volume + virtual-production hubs (see led-wall-virtual leaf), and our gaffer crew is already wired into that pipeline. ANCINE crew credits, CLT contracts, FGTS 8%, and 13º salário are budgeted across freelance. Lei do Audiovisual Article 1A/1B/1B-bis and Lei Rouanet sponsorship structures factor into the spend plan. FSA reporting sits clean at delivery.
FAQ
Professional LED Equipment
What LED brands do you offer?
Here is the breakdown. We give gear from all major pro LED brands including ARRI (SkyPanel, Orbiter), Aputure (LS series, amaran), Astera (Titan Tube, Helios), Litepanels (Gemini, Astra), Quasar Science, and others. Brand selection depends on availability and your specific needs.
Can LED lights match tungsten or daylight?
Yes. Modern cinema LEDs give great color accuracy and can dial to precise color from 2700K tungsten to 6500K daylight and beyond. High-end fixtures like ARRI SkyPanel give TLCI ratings of 95+ for broadcast and cinema applications.
Are battery-powered LED options available?
Yes. Many LED fixtures operate on V-mount or Gold-mount batteries, making them ideal for location work without power packs access. We can specify battery-powered packages for run-and-gun documentary, ENG, and remote location shoots.
How do you control multiple LED fixtures?
LED control options have DMX (wired and wireless), proprietary apps (ARRI, Aputure, Astera), and integrated console systems. We can give control infrastructure matched to your production's complexity.
Do LED packages include stands and rigging?
Basic packages have appropriate stands for each fixture. Overhead rigging, specialty mounts, and advanced grip kit are ready as additions. We can specify complete packages including all support gear.
Can you provide LED technicians for operation?
Yes. We can give LED/lighting technicians familiar with modern LED systems, DMX programming, and wireless control for shoots needing tech support beyond standard gaffer services.
Related Services
Productions in Brazil that need this often pair it with Gaffer & Lighting Services, Grip Services, and Portable Power Solutions for full coverage. Most projects also draw on 360° Video Production and Production Services.
On Set
Need LED Lighting?
Tell us about your production and we'll specify the right LED package for your needs.