Production Designers
Visionary production designers creating immersive worlds inspired by Brazil's colonial churches, Niemeyer's modernist monuments, and tropical landscapes.
Here is how this works in practice. The production designer is the head of the art department, responsible for creating the entire visual environment of a film or television production. In Brazil, this role draws on an extraordinary range of visual references — from the baroque churches of Ouro Preto and the colonial centre of Salvador de Bahia to Brasília's iconic modernist build style by Oscar Niemeyer and the vibrant favela communities of Rio de Janeiro. Our designers know how to translate these distinctive Brazilian settings into compelling screen worlds.
Here is the short of it. We connect you with production designers who bring deep local knowledge and global-level craft to each project. With access to facilities at Estúdios Globo and Estúdios Quanta in São Paulo, our network makes sure your production's visual world is built with the right resources, leveraging Brazil's cash rebates incentives across Rio and São Paulo.
ACT 01
Capabilities
Complete Production Design Services
From initial concept through final wrap, our production designers build the visual worlds that bring your stories to life.
01
Visual Concept
- World-building design
- Visual language creation
- Color & texture palette
- Period research
- Style guide development
Creative Vision
02
Set Design
- Set construction plans
- Technical drawings
- Model making
- Stage layouts
- Location adaptation
Physical Design
03
Department Leadership
- Art director supervision
- Set decorator coordination
- Props department
- Construction management
- Scenic artists
Team Management
04
Budget & Schedule
- Art department budgeting
- Resource allocation
- Schedule coordination
- Vendor management
- Cost tracking
Production Control
ACT 02
Why Us
Why Choose Our Production Designers
01.
Brazilian Location Expertise
Here is how it adds up. Deep knowledge of Brazil's architectural diversity from Rio's colonial and Art Deco districts to São Paulo's modernist skyline, Salvador's Pelourinho heritage quarter, and Brasília's Niemeyer landmarks. Our designers know how to capture and boost Brazilian locations.
02.
International Experience
Production designers with credits on major global features and prestige television. They know the expectations of studios and streamers working across the Latin American market.
03.
Construction Resources
Set up relationships with Brazil's scenic construction firms and Estúdios Globo workshops. Access to skilled craftspeople skilled in tropical construction, colonial restoration, and large-scale set building.
04.
Creative Problem Solving
Innovative ways that boost visual impact within budget constraints. Our designers find creative solutions that put each real on screen, leveraging Brazil's competitive production costs and regional cash rebates incentives.
On Location
Production designers from the Tulé Peake / Globo PROJAC lineage, equipped for favela-realist through Niemeyer-modernist visual worlds
Here is how this works in practice. Our Brazilian production designers run department-head packages from São Paulo and Rio with track records on City of God (Tulé Peake's seminal favela-realist build), Aquarius, Bacurau, I'm Still Here, Elite Squad, Narcos, The Two Popes, and the Globo PROJAC telenovela slate. The Tulé Peake school set up the rough-textured, lived-in production design vocabulary now recognized worldwide. Today's leads have Marcelo Gama, Christina Barcellos, and Karim Aïnouz collaborators. Alongside the next generation graduating from USP, UNICAMP, PUC-Rio, Escola de Cinema Darcy Ribeiro (Rio), and Escola Britânica de Artes Criativas (São Paulo).
Here is the layout. On the ground, Department structure runs the standard package: production designer, watching art director, set decorator, props master, lead set dresser, graphic designer, construction coordinator, and propmaker shop. Builds happen at Globo PROJAC (the world's largest telenovela tricky, in operation since 1965), Cinedia (Rio, since 1930), Casablanca São Paulo, O2 Filmes, Conspiração Filmes, and Estúdios Rio. With paint frames, plaster shops, and bonded set-stock warehousing.
Here is the short of it. Brazilian production design draws on an unusually broad reference library. Colonial baroque is on tap at the IPHAN-protected UNESCO sites. Ouro Preto, Olinda, Paraty, Diamantina, São Luís, Pelourinho Salvador — with archive access for accurate period dressing. Modernism is anchored by Niemeyer-Brasília (UNESCO 1987) and the modernist São Paulo / MASP / Paulista corridor. Naturalism reaches into the Amazon (UNESCO Central Amazon 2000. Plus Manaus and the Teatro Amazonas opera house from 1896), Pantanal (UNESCO 2000. This covers world's largest tropical wetland), Iguaçu Falls (UNESCO 1986), Chapada Diamantina, Lençóis Maranhenses, Fernando de Noronha, and Bonito.
Here is how the work shapes up. On the ground, Carnaval samba-escola design culture (Beija-Flor, Mangueira, Salgueiro, Mocidade Independente de Padre Miguel) supplies fast-build sculptural capacity unmatched worldwide. Departments are SATED-RJ, SATED-SP, and SindCine registered, with CLT/INSS/FGTS payroll and reciprocal IATSE Local 800 plan for visiting US designers. Currency advantage BRL ~5:1 USD plus ANCINE Lei do Audiovisual rebates keep build budgets sharp.
ACT 03
FAQ
Production Design Expertise
What's the difference between a production designer and art director?
Here is the breakdown. The production designer is the head of the art department, responsible for the overall visual concept and working directly with the director. The art director reports to the production designer and oversees the execution of that vision — managing construction, setting up the team, and handling day-to-day operations.
How do production designers work with Brazilian heritage architecture?
Here is what that looks like on the ground. Our production designers have extensive experience working with Brazil's covered heritage sites. This includes the Historic Town of Ouro Preto, Salvador de Bahia's colonial centre, and Brasília's modernist monuments. They know IPHAN permit needs and how to integrate heritage locations into production design plans.
Can you handle both studio builds and locations?
Here is how the picture comes together. Yes, our production designers excel at combining studio construction at facilities like Estúdios Globo and Estúdios Quanta with practical locations across Brazil. They design sets that match location work and adapt real spaces to serve your story's visual needs.
What about period productions in Brazil?
Here is what we have to work with. Our production designers have extensive experience with historical periods, drawing on Brazil's Portuguese colonial build style, baroque churches, and coffee plantation estates. They have access to local research archives, museum collections, and period pros familiar with Brazilian design history.
Do you provide the full art department?
Yes, we can staff complete art departments scaled to your production. This has art directors, set decorators, prop masters, construction coordinators, and all supporting roles sourced from Brazil's large and skilled crew base.
How do production designers work with other departments?
Production designers work closely with cinematography on lighting needs, costume on visual palette, VFX on digital extensions, and locations on practical considerations. They're the visual hub setting up all design elements.
Related Services
Related Creative Roles
ACT 04 — On Set
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