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SCENE 01 / DIGITAL CINEMA PACKAGE DCP

Digital Cinema Package (DCP)

Professional DCP creation ensuring flawless theatrical presentation and worldwide cinema distribution.

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Here is how this works in practice. A Digital Cinema Package is the standardized format for theatrical film distribution, containing encrypted video, audio, and subtitle data that cinema projectors read and display. DCP mastering needs precise tech specs for resolution, frame rate, color space, and audio channel setup to make sure proper playback.

Here is the short of it. We set up DCP creation with mastering facilities certified for digital cinema distribution. Our team manages the tech specs, encryption, and quality verification process to make sure your Digital Cinema Package plays flawlessly in theaters and meets the delivery standards needed by your distribution partners.

Capabilities

DCP Creation Excellence

We deliver the industry-standard format for theatrical exhibition, ensuring your film is presented with the highest quality in cinemas worldwide.

01

Cinema Quality

DCI-compliant packages for perfect projection in theaters worldwide.

Excellence

02

Secure Encryption

Content protection with professional KDM management.

Security

03

Global Standards

Compatible with all DCI-compliant cinema systems worldwide.

Universal

04

Verified Quality

Comprehensive testing and validation on cinema servers.

Reliability

DCP Services

Technical Specifications

Why Us

Why Choose Our DCP Services

01.

100% Reliability

Guaranteed playback in all DCI theaters.

02.

Fast Turnaround

Quick delivery for urgent deadlines.

03.

Secure Handling

Covered workflow and delivery.

04.

Festival Ready

Experience with major festival needs.

On Location

DCP mastering for Festival de Gramado, Festival do Rio, and Cinemark Brasil distribution

Here is how this works in practice. Brazilian DCP packaging serves both festival circuit and theatrical distribution. We produce SMPTE DCP and Interop DCP via Doremi DCP, Qube, Sony DCP, and easyDCP workflows at Globo Estúdios PROJAC, O2 Filmes, Casablanca Studios, Quanta Pós-Produção, and Conspiração for DCI-P3 cinema colour, 24fps and 25fps cadence, 2K and 4K resolution, 5.1 and 7.1 surround audio plus optional Dolby Atmos object-based audio, and KDM key running for secure venue delivery.

Here is how the picture comes together. On the ground, brazilian festival distribution covers Festival de Gramado (since 1973. This covers the Kikito awards, Brazil's most prestigious national festival), Festival do Rio (since 1999), Mostra Internacional de Cinema de São Paulo (since 1977, the oldest), Festival de Brasília (since 1965, the oldest national event), Festival do Cinema Brasileiro de Paulínia, Anima Mundi animation festival in Rio and São Paulo, and É Tudo Verdade / It's All True documentary festival.

Here is the short of it. Theatrical distribution runs through Cinemark Brasil (the largest chain), Cinépolis Brasil, Cinesystem, UCI Brasil, and Cineart MG (Affonso Brandão's chain). Brazilian DCP masters have carried worldwide recognised titles: Black Orpheus (Cannes Palme d'Or 1959), Kiss of the Spider Woman (William Hurt Best Actor Oscar 1985), Central Station (Berlin Golden Bear 1998, Best Foreign Language nomination), City of God (four Oscar nominations 2002 including Best Cinematography for Cesar Charlone), Motorcycle Diaries (Best Adapted Screenplay Oscar 2005), Tropa de Elite (Berlin Golden Bear 2007), Bacurau (Cannes Jury Prize 2019), Aquarius, The Two Popes, Narcos Netflix, and I'm Still Here (Foreign Language Oscar nomination 2025 with Fernanda Torres Best Actress nomination).

Here is what we have to work with. On the ground, ANCINE sign-ups is required for theatrical exhibition, Receita Federal handles tax-rebates audit, and ICMS state VAT (17-20%) is part of the financial structure. LGPD residency on AWS São Paulo or Azure Brazil South governs DCP master storage and KDM key running. LIBRAS sign-language tracks and audio description are increasingly delivered alongside the primary DCP.

FAQ

Frequently Asked Questions

What is a DCP and why do I need one?

Here is the breakdown. A Digital Cinema Package (DCP) is the industry-standard format for theatrical exhibition. If you want to show your film in commercial cinemas or submit to major film festivals, you need a DCP. It makes sure your content displays correctly on pro digital projection systems with proper image and sound quality.

What's the difference between encrypted and unencrypted DCPs?

Here is what that looks like on the ground. Encrypted DCPs need a KDM (Key Delivery Message) for each specific projector and time window, giving content protection for commercial releases. Unencrypted DCPs are mostly used for film festival submissions where security is less key and simplicity is preferred.

How long does DCP creation take?

Standard DCP creation mostly takes 1-3 business days based on the length and complexity of your project. We give rush services for urgent deadlines. Feature films need longer encoding times than shorts, and 4K DCPs take longer than 2K versions.

Can you create multiple versions of my DCP?

Yes, we often create many DCP versions including different audio configurations (5.1, 7.1, Atmos), subtitle options, language versions, and aspect ratios. We'll work with you to determine which versions you need for your distribution strategy.

Productions in Brazil that need this often pair it with Archival & Preservation Services, Format Conversion & Encoding Services, and Broadcast Delivery Services for full coverage. Most projects also draw on Audio Mixing & Mastering and Video Editing Services.

On Set

Ready for Cinema Distribution?

Let's create perfect DCPs for your theatrical release.