SCENE 01 / CABLE CAM SYSTEMS
Cable Cam Systems
Dynamic aerial coverage for your Brazilian production.
Here is how this works in practice. Cable cam systems suspend cameras on motorized carriages that travel along tensioned wire spans, delivering smooth, repeatable overhead and lateral tracking shots. These systems are ideal for covering large events at Maracanã Stadium, Rio Carnival parade venues, and outdoor locations across Brazil where traditional camera support is impractical.
Here is the short of it. We source cable cam systems and skilled operators suited to your Brazilian venue and shot needs. Our team sets up rigging installation, safety certification, and tech rehearsals to make sure your cable cam delivers smooth, reliable camera movement across your shoot schedules.
Capabilities
Cable Cam Services
Professional wire cam systems for events, sports, and film production.
01
System Types
- Point-to-point cables
- Multi-dimensional rigs
- Spidercam-style 3D
- Compact systems
- Custom configurations
Versatile Systems
02
Camera Support
- Cinema cameras
- Broadcast cameras
- Gimbals & stabilizers
- Live transmission
- Remote control
Any Camera
03
Applications
- Sports events
- Concerts & festivals
- Film & TV
- Stadium coverage
- Large venues
Diverse Uses
04
Full Service
- Rigging crews
- Operators
- Safety coordination
- Permit assistance
- Insurance
Complete Support
Professional Cable Cam Solutions
Capabilities
Our Process
Site Survey
Reviewing your venue or location for cable cam installation and coverage needs.
System Design
Designing the cable cam system based on shot needs, travel distance, and venue constraints.
Installation
Pro rigging installation with full safety protocols and redundancy systems.
Operation
Pro operation during your event or production with real-time adjustments as needed.
On Location
Spidercam and Newton-stabilised head cable-cam systems over Maracanã, Sambódromo Marquês de Sapucaí Carnaval, F1 Interlagos, and Rock in Rio main-stage with cross-border LA backup
Here is how this works in practice. Brazilian cable-cam work is dominated by stadium broadcast and Carnival aerial. The list covers the country's two largest live-event types. Spidercam Light and Spidercam Falcon 4-point systems run often at Maracanã Stadium (1950 + 2014 World Cup + 2016 Olympics opening venue) and Allianz Parque São Paulo for Brasileirão Série A coverage (Flamengo, Palmeiras, Corinthians, São Paulo, Vasco, Fluminense, Botafogo), CBF national-team fixtures, and UFC / boxing nights. Sambódromo Marquês de Sapucaí (Niemeyer 1984) Carnaval February deploys 4-point full-length cable runs over the entire parade-lane geometry. The densest cable-cam live setup Brazil produces.
Here is the breakdown. On the ground, F1 Interlagos São Paulo Grand Prix runs FIA-spec cable systems along the start-finish straight and Senna 'S' curve carrying the Ayrton Senna 1988 / 1990 / 1991 World Championship heritage. Rock in Rio (since 1985, 700K+ attendance) and Lollapalooza Brasil at Autódromo Interlagos run festival main-stage cable-cam.
Here is the short of it. Camera heads are Newton S2 (the standard remote-head for stadium cable-cam since 2018) and ARRI SRH-360. With RED Komodo-X, Sony FX9 / FX6, and ARRI Alexa Mini LF airframes. Large-stadium work also brings the Movicam MK-V AR3 stabilised head. Cross-border LA top-up flows through Sigma Cine LA and Action Filmworks on direct GRU / GIG flights inside 12 hours when broadcast loadouts need redundancy.
Here is what that looks like on the ground. On the ground, Rigging crews are anchored in São Paulo via Cinerent Brasil + Conspiração Filmes and in Rio via Globo Estúdios PROJAC tech operations. With tested safety records inside CBF and FIA spec. Tropical humidity (80–95% Rio / Salvador / Recife year-round) demands IP-rated head covers, desiccant inside the housing, and saltwater-rinse protocols after any coastal-stadium shoot. ANCINE / CLT / FGTS 8% / 13º salário budgeted across freelance. RioFilme + Spcine handle the city-side permits. ANATEL clears any wireless head-control link.
FAQ
Frequently Asked Questions
What's the difference between cable cam types?
Point-to-point cable cams travel along a single cable between two anchor points, giving linear movement. Multi-dimensional systems (like Spidercam) use many cables to allow 3D movement in X, Y, and Z axes.
How much space can a cable cam cover?
Spans differ by system—point-to-point systems can cover hundreds of meters, while 3D systems mostly cover areas up to 100m x 100m or more. We design systems to match your venue and coverage needs.
Are cable cams safe for live events?
Yes, pro cable cam systems have many safety redundancies—backup cables, emergency braking, and fail-safe systems. We follow strict safety protocols and carry full insurance.
Can you operate over crowds?
With proper safety systems, permits, and insurance, cable cams can operate over audience areas. This needs specific gear, safety protocols, and often planning with venue management and authorities.
What cameras work with cable cams?
Cable cams can carry many cameras from compact systems to full cinema cameras with stabilized heads. The system design accounts for camera weight and any live transmission needs.
How long does installation take?
Installation time differs with system complexity and venue. Simple point-to-point systems may install in a day, while complex multi-dimensional systems in large venues may need several days.
Related Services
Productions in Brazil that need this often pair it with Wire Cam Systems, Helicopter Filming, and Aerial Drone Services for full coverage. Most projects also draw on Portable Power Solutions and Drone Videography.
On Set
Need Cable Cam Coverage?
Tell us about your venue and coverage needs and we'll design the right system.