Green Screen Services

Here is how this works in practice. Brazilian green-screen capacity scaled hard alongside the SVOD content boom (Netflix, Globoplay, Disney+, HBO Max, Prime Video originals 2018–2025). Our primary stages are Globo Estúdios PROJAC Rio (many cyc-wall stages across the 1.5 km² tricky, the largest TV shoot sites in Latin America since 1965, telenovela engine backbone), O2 Filmes São Paulo (Fernando Meirelles's firm), Casablanca Studios São Paulo, Estúdios Mega Rio, Cinedia Rio (Brazil's oldest active studio, since 1930), and Gullane Filmes São Paulo.

Here is how the picture comes together. On the ground, Cyc-wall painting is Rosco Chroma Key Green / Chroma Key Blue (CKG / CKB), corner-coves for clean key edges, and pre-lit with ARRI SkyPanel S360 / S60 + Aputure Nova P600c soft-RGBW panels at 200–250 fc cyc with 0.5–1 stop falloff variance. Camera bodies are ARRI Alexa 35 / Mini LF, Sony Venice 2 Rialto, RED V-Raptor with primes from ARRI Master Prime / Signature Prime, Zeiss Supreme Prime, and Cooke S7/i.

Here is the short of it. The Brazilian deliverable spec runs heavy on Globoplay first-series chroma compositing (telenovela exterior-plate VFX, dream-sequence work, period-piece architectural extension), commercial work for Itaú, Bradesco, Vivo, Magazine Luiza, Natura, and Skol, music-video chroma for sertanejo + funk carioca + MPB artists, and the streaming-feature compositing for Walter Salles, Fernando Meirelles, José Padilha, Kleber Mendonça Filho, and Karim Aïnouz pipelines. Finishing flows through Quanta Post São Paulo (Brazil's dominant VFX + DI house) plus O2 Pos and Conspiração Filmes Rio with Nuke 15.x + Mocha Pro 2024 + Silhouette FX + Flame on Wacom Cintiq Pro 32 review stations. Cross-border LA partnership runs through ILM and Pixomondo when feature-grade compositing exceeds local capacity. ANCINE / Lei do Audiovisual Article 1A/1B/1B-bis / Lei Rouanet / FSA funding structures budgeted. CLT / FGTS 8% / 13º salário across freelance.