
SCENE 01 / LOCATION SOUND PACKAGES
Location Sound Packages
Complete production sound kits for your Brazilian production.
Here is how this works in practice. Location sound packages bundle the key recording gear needed for field production into cohesive kits. These packages mostly have recorders, microphones, boom poles, wireless systems, and tracking gear, configured to work together reliably in real-world shooting environments.
Here is the short of it. We assemble and deliver complete location sound packages customized to your production scale and shooting conditions. Our team works with skilled audio suppliers to make sure each parts is tested, compatible, and ready for use when your crew arrives on location.
Capabilities
Sound Equipment
Complete location sound solutions from recorders to wireless systems.
Professional Sound Solutions
Capabilities
Our Process
Requirements Review
Knowing your production's sound needs, track count, and tech needs.
Package Design
Building a complete sound package matched to your production scale and complexity.
Prep & Testing
Thorough prep and testing of all gear with frequency planning for your locations.
Production Support
Tech support, extra gear, and backup gear ready across your shoot.
On Location
Sound Devices recorders, Zaxcom multi-track, DPA and Sanken lavs — full bag and cart rigs across Brazil
Here is how this works in practice. Brazilian location sound packages come together around Sound Devices 833 and 888 multi-track recorders, MixPre-10 II rigs for bag-based ENG and documentary, and Zaxcom Deva 24 + Nomad carts for narrative features needing high channel counts. We stack Lectrosonics SRc, DCR822, and SMWB / SMDWB body packs, Wisycom MTP60 + MCR54, and Sennheiser Digital 6000 receivers across the wireless side. With DPA 4060 / 6060 subminis, Sanken COS-11D, Sennheiser MKE 2, and Countryman B6 capsules for lavs.
Here is what that looks like on the ground. On the ground, Boom side carries Sennheiser MKH 416, Schoeps CMIT 5U, Sanken CS-3e, and DPA 4017B on K-Tek and Ambient poles. Inventory rotates through Cinerent Brasil, Cor & Som, and the Globo Estúdios PROJAC pool in Rio + Casablanca Studios São Paulo + O2 Filmes on the SP side. With cross-border kit imported through Sigma Cine LA on the 12-hour direct GRU flight when channel counts exceed local stock.
Here is the short of it. Each package ships ANATEL-cleared and frequency-coordinated: short-term licensing filed during prep, a fresh RF scan at each location, channel map shared with wireless video, lens-control, IFB, and IEM departments so nothing collides. Brazilian production mixers — many of whom trained on Globo PROJAC telenovela days or on Padilha + Salles + Meirelles feature work (Tropa de Elite, Two Popes, Narcos, I'm Still Here) — work in Portuguese-primary call-out with English overlap for global leads, and bring the calibration discipline a tropical-humidity, dense-ambience environment demands.
Here is how the picture comes together. On the ground, Bag rigs have silica drying, humidity-resistant cable jackets, and saltwater-rinse protocols for coastal work in Búzios, Salvador, and the Rio shore. Cart rigs add Hawkwoods or PSC Solice block-battery setups for long days in the Amazon and Pantanal where mains tie-ins aren't ready. Spare lithiums, AA stocks, capsule swaps, and a tested backup recorder ride in each truck.
FAQ
Frequently Asked Questions
What's included in a complete sound package?
Here is the breakdown. A complete package has a recorder/mixer (such as Sound Devices 8-series), wireless systems for your cast, boom microphone and pole, sound bag or cart, cables, batteries, and all needed accessories. We scale packages to your production needs.
What recorders do you stock?
We carry Sound Devices 8-series (833, 888) for pro multi-track recording, MixPre series for smaller shoots, and Zaxcom Deva and Maxx systems. All give great sound quality and reliability.
How many wireless channels can you provide?
We can give as many wireless channels as your production needs—from a single lav to dozens of channels for large cast shoots. We use Lectrosonics, Wisycom, and Sennheiser systems with proper frequency planning.
Can you provide a production sound mixer?
Yes, we work with skilled Brazilian production sound mixers and boom operators. Having local sound pros makes sure proper gear operation and familiarity with Brazilian shooting conditions.
What about frequency coordination?
We set up all wireless frequencies with Brazilian rules and your location's RF environment. Our team scans locations and allocates clean frequencies to make sure reliable wireless performance.
Do you offer bag kits vs cart setups?
Yes, we give both bag-based kits for mobile ENG/documentary work and cart setups for narrative shoots with more complex mixing needs. We configure the right setup for your shooting style.
Related Services
Productions in Brazil that need this often pair it with Boom Microphones, Wireless Microphone Systems, and Audio Monitoring Equipment for full coverage. Most projects also draw on Sound Recordist Teams and Audio Equipment Rental.
On Set
Need Location Sound?
Tell us about your sound requirements and we'll build the right package.