SCENE 01 / WIRELESS MICROPHONE SYSTEMS
Wireless Microphone Systems
Professional wireless audio for your Brazilian production.
Here is how this works in practice. Wireless microphone systems enable untethered audio capture, giving talent freedom of movement while keeping broadcast-quality sound. Modern digital wireless systems give reliable transmission, wide frequency range, and encryption to avoid interference in complex RF environments common on busy sets.
Here is the short of it. We source and set up wireless microphone systems with the frequency bands and channel counts your production needs. Our team handles range planning and makes sure backup units are ready, so your sound department can operate confidently across many shooting locations.
Capabilities
Wireless Audio Equipment
Premium wireless systems from Lectrosonics, Wisycom, and other industry leaders.
Professional Wireless Solutions
Capabilities
Our Process
Requirements Review
Knowing your channel count, range needs, and RF environment.
System Design
Configuring the right wireless system with proper frequency planning.
Frequency Scan
Scanning your locations and allocating clean frequencies for reliable operation.
Production Support
Tech support, backup gear, and frequency management across your shoot.
On Location
Lectrosonics, Wisycom, and Sennheiser Digital 6000 — ANATEL-licensed channels for Brazilian sets
Here is how this works in practice. Wireless mic packages in Brazil are built around Lectrosonics Digital (DBSMD, DSQD, DCR822, DPR transmitters), Wisycom MTP60 + MCR54 / MCR42, and Sennheiser Digital 6000 (EM 6000 + SK 6212) for high channel-count narrative work. With Sennheiser EW-DX for run-and-gun and budget-conscious shoots. Capsule layer rotates DPA 4060 / 6060 subminis for invisible body-wear, Sanken COS-11D for tested dialogue work, Sennheiser MKE 2 Gold, and Countryman B6 for tight wardrobe runs.
Here is the breakdown. On the ground, Inventory lives at Cinerent Brasil + Cor & Som. With Globo Estúdios PROJAC's permanent telenovela frequency plan as a backbone reference. Cross-border top-ups from Sigma Cine LA on the 12-hour direct GRU flight when feature counts push past 24 channels. ANATEL — the Agência Nacional de Telecomunicações. This covers issues the short-term frequency sign-off each global shoots needs. We file ahead of prep, document each location's allocation, and reconcile against IFB, IEM, wireless video (Teradek Bolt), and wireless lens-control (Preston FIZ, ARRI WCU-4) so departments share range without collision.
Here is the short of it. RF environments differ a lot across Brazil. São Paulo and Rio's dense urban range demand careful TV white-space scanning and antenna distribution (Wisycom LFA, PSC Multi-SMA, RF Venue Range Fin combinations). Brasília's federal-district airwaves need extra ANATEL planning near state RF. Amazon and Pantanal locations open up cleaner range but lose cellular fallback, so we provision deeper battery banks and on-set spares.
Here is what that looks like on the ground. On the ground, brazilian production sound mixers, drilled through Globo PROJAC telenovela schedules and feature work for Padilha, Meirelles, and Salles (Tropa de Elite, City of God, Two Popes, Narcos, I'm Still Here), bring the channel-planning experience that scales from 4-channel commercial spots to 24-plus-channel feature ensembles. Each wireless kit ships with humidity-resistant cabling, lithium AA stocks doubled for tropical heat draw-down, and a tested backup pair for each primary channel.
FAQ
Frequently Asked Questions
What wireless systems do you recommend?
For pro narrative work, we recommend Lectrosonics Digital or Wisycom for their audio quality, reliability, and spectral efficiency. Zaxcom gives recording-capable transmitters. For budget-conscious shoots, Sennheiser EW-D gives great value.
How many wireless channels can you provide?
We can give as many channels as your production needs—from single transmitters to dozens of set up channels for large cast shoots. Our frequency planning makes sure all channels operate without interference.
What lavalier microphones do you stock?
We carry DPA 4060 and 6060 (subminiature), Sanken COS-11D, Sennheiser MKE series, and Countryman lavalieres. Each has different traits suited to many concealment and sound needs.
How do you handle frequency coordination?
We scan your locations to identify clean frequencies and set up all wireless systems to avoid interference. This has both your wireless mics and any other RF gear like wireless video or IEMs.
What about range and coverage?
Range depends on the system and environment. We configure antenna distribution and RF cables to make sure reliable coverage for your shooting area. For large locations, we can give many receiver setups.
Do you provide backup equipment?
Yes, we recommend and can give backup transmitters and receivers for longer shoots. Having backup wireless protects your production against gear failures.
Related Services
Productions in Brazil that need this often pair it with Wireless Systems, Location Sound Packages, and Boom Microphones for full coverage. Most projects also draw on Communication Systems and Wireless Audio Systems.
On Set
Need Wireless Audio?
Tell us about your wireless requirements and we'll build the right system.