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Chamonix Mont Blanc - filming location in Brazil

SCENE 01 / CAMERA SUPPORT SYSTEMS

Camera Support Systems

Professional camera support equipment for your Brazilian production.

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Here is how this works in practice. Camera support systems have tripods, fluid heads, sliders, jibs, dollies, and stabilization rigs that enable smooth, controlled camera movement. The right support gear is key for achieving the visual language a director and cinematographer envision for each scene.

Here is the short of it. We source camera support systems ranging from lightweight travel kits to heavy-duty studio dollies and crane systems. Our team sets up with local grip and camera rental houses to make sure compatible, well-kept support gear arrives on set tested and ready for your specific camera package.

Capabilities

Support Equipment

Complete camera support solutions from tripods to Technocranes.

Professional Support Solutions

Capabilities

100+
Support Systems
30+
Dolly Systems
All
Camera Weights
24/7
Tech Support

Our Process

1

Shot Requirements

Knowing your camera movement needs, shot complexity, and location constraints.

2

Equipment Selection

Recommending optimal support gear based on camera weight, lens selection, and shooting style.

3

Prep & Testing

Thorough preparation and testing of all gear to make sure perfect operation.

4

Production Support

Tech support, operators, and backup gear ready across your shoot.

On Location

Sachtler and O'Connor heads, DJI Ronin gimbals, Chapman dollies — Cinerent and Globo PROJAC inventory

Here is how this works in practice. Support packages in Brazil pull from Cinerent Brasil and Cor & Som's grip/electric floors with backup from Globo Estúdios PROJAC's permanent stage inventory. Tripod heads run O'Connor 2575D and 2065 for cinema bodies, Sachtler Video 25, Cine 30 HD, and FSB-10 for lighter A-cam and ENG work. Legs have Ronford-Baker baby and standard, Sachtler CF carbon fiber sticks, and Hi-Hat low-mode setups.

Here is what that looks like on the ground. On the ground, Dolly inventory carries Chapman/Leonard Hybrid IV and Hustler IV. Plus Microdolly and Magliner-based push setups for tighter telenovela-style stages. Track ranges from straight aluminum to Filmotechnic curved sections tied to floor protection. Gimbal stock leans DJI Ronin 4D, Ronin 2, and Freefly MōVI Pro / XL. With Easyrig Cinema 3, Steadicam M-2, and Tilta Float vests for hand-held operators. Remote heads have Scorpio Stabilized, Filmotechnic, Mōvi XL, and ARRI SRH-3 for crane and Russian-arm work, all cross-rentable from Sigma Cine LA on the 12-hour direct LA-GRU flight when feature scope outstrips local stock.

Here is the short of it. Brazilian camera ops carry a deep tripod-and-dolly custom from Globo PROJAC's multi-cam telenovela schedules — where focus-pulling, dolly grips, and head operation get drilled daily on steady-shoot blocks — and from Walter Carvalho's lyrical dolly work on Central Station, Charlone's handheld City of God language, and the gimbal-forward run-and-gun grammar that defined Tropa de Elite. Today's features (Bacurau's anamorphic dolly fluidity, I'm Still Here's measured period camerawork, the Padilha-Netflix Narcos slate) keep that operator depth ready to global shoots.

Here is how the picture comes together. On the ground, Tropical humidity 80–95% drives our prep discipline: fluid heads get a viscosity check before each shoot, gimbal balance is reset on humid mornings, and dolly bearings get a corrosion pass after coastal Búzios or Salvador legs. We deliver to GRU, GIG, BSB, or MAO with a full kit fitting and a backup head and matched legs on each truck.

FAQ

Frequently Asked Questions

What tripod heads do you recommend?

Here is the breakdown. For cinema cameras, we recommend O'Connor 2575 or Sachtler Video 25 for their smooth movement and reliability. For lighter setups, the Sachtler FSB series gives great performance. We match head capacity to your camera and lens package.

Can you provide dolly with track?

Yes, we supply complete dolly packages including dolly, track (straight and curved), and all needed accessories. We give many track systems to suit different floor conditions and shot needs.

Do you provide operators with equipment?

Yes, we can give skilled dolly grips, Steadicam operators, and crane technicians with the gear. Having skilled operators makes sure you get the most from specialized support gear.

What about remote heads?

We give remote heads including Scorpio and Mōvi Pro for crane and car work. Remote heads enable precise camera control during complex movements where direct operation isn't possible.

Can you handle heavy camera packages?

Yes, our support systems accommodate cinema cameras from RED and ARRI with full accessories, cine lenses, and wireless follow focus. We make sure proper head and tripod capacity for your complete camera build.

What stabilization options are available?

We give full Steadicam systems for traditional operator work, gimbal systems like Ronin and MōVI for electronic stabilization, and Easyrig support for handheld shooting comfort.

Productions in Brazil that need this often pair it with Camera Equipment Rental, Lens Filters, and Cinema Lens Kits for full coverage. Most projects also draw on Grip Equipment and Lighting Equipment Rental.

On Set

Need Camera Support?

Tell us about your shot requirements and we'll provide the right support equipment.