SCENE 01 / LENS KITS
Cinema Lens Kits
Professional cinema glass for your Brazilian production.
Here is how this works in practice. Lens kits bring together curated sets of prime or zoom lenses that cover the focal range a production needs. Pro cinema lenses give precise focus control, steady color rendering, and the optical traits that define a project's visual texture and depth.
Here is the short of it. We set up lens kit rentals matched to your cinematographer's preferences and your camera system's mount. Our team works with local rental houses to assemble complete lens packages, arranging prep time for testing and making sure backup options are ready if needed.
Capabilities
Lens Inventory
Premium cinema lenses from the world's leading manufacturers.
Professional Lens Solutions
Capabilities
Our Process
Project Discussion
Knowing your creative vision, camera format, and the look you want to achieve.
Lens Selection
Recommending lens packages based on your visual way, budget, and tech needs.
Prep & Testing
Complete lens prep including cleaning, testing, and matching with your camera system.
Production Support
Tech support, lens swaps, and extra glass ready across your shoot.
On Location
Cooke S7/i, Zeiss Supreme, ARRI Signature Primes, Atlas Orion anamorphic — Brazil-resident or LA cross-border
Here is how this works in practice. Cinerent Brasil and Cor & Som carry the resident cinema-glass stocks: Cooke S7/i and S8/i full-frame primes, Zeiss Supreme Prime sets, ARRI Signature Primes, Zeiss Master Prime and Ultra Prime in Super 35, and Angenieux Optimo zooms in Optimo 24-290, 28-76, and Anamorphic 30-72. Anamorphic options resident in Brazil have Atlas Orion (1.75x) and rehoused Iscorama-style options for boutique shoots. With Cooke Anamorphic/i SF, ARRI Master Anamorphic, and Hawk V-Lite cross-border from Sigma Cine + Panavision LA on the 12-hour direct LA-GRU flight.
On the ground, Vintage and rehoused lines. Leitz M 0.8, Bausch & Lomb rehoused Super Baltars, Canon K-35, Cooke Speed Panchro — sit on the cross-border side for shoots seeking character glass. Lens prep at Cinerent or Cor & Som has collimation, T-stop calibration, focus mark verification, and mount-matching for PL, LPL, and Sony E-mount bodies. ATA carnet timelines through Receita Federal customs run 2-4 weeks for global kits.
Here is the short of it. Brazilian cinematographic identity moves through DP choices logged in the country's feature canon. Cesar Charlone shot City of God on handheld 16mm and Two Popes on Cooke S4/i and Cooke Anamorphic/i. Walter Carvalho's Central Station ran Zeiss Super Speeds and Cooke S4/i. Lula Pinheiro's Bacurau pulled Atlas Orion anamorphic for the Northeast sertão palette that won the 2019 Cannes Jury Prize. I'm Still Here (Best Foreign Language Oscar nominee 2025) carried softer Cooke or Zeiss Supreme-style rendering for Walter Salles' period Rio.
Here is what that looks like on the ground. On the ground, Current Netflix series in the Padilha pipeline (Narcos roots) and global features routinely pair VENICE 2 or ALEXA 35 with Signature Primes or S7/i. We pre-test full sets with your body of choice, confirm lens-data metadata flow into Codex / Pomfort DIT carts, and bag each kit with silica desiccants because tropical 80–95% humidity will fog rear elements in days if storage is sloppy.
FAQ
Frequently Asked Questions
What prime lens sets do you stock?
We carry full sets of Zeiss Master Primes, Supreme Primes, Cooke S4/i and S7/i, ARRI Signature Primes, and more. Sets mostly have focal lengths from 18mm to 135mm, with wider and longer options ready.
Do you have large format lenses?
Here is the breakdown. Yes, we stock full-frame lenses including ARRI Signature Primes, Cooke S7/i, and Zeiss Supreme Primes for cameras like the ARRI Alexa LF and Sony Venice. These lenses give the coverage needed for large format sensors.
What anamorphic options are available?
We give anamorphic lenses including ARRI Master Anamorphic, Cooke Anamorphic/i, and many vintage anamorphic options. Anamorphics give the distinctive widescreen look and flare traits many shoots desire.
Can you provide zoom lenses?
Yes, we stock cinema zooms from ARRI Alura, Fujinon Cabrio, Angenieux Optimo, and Cooke. Zooms are ready in both full-frame and Super 35 coverage for many applications.
Do you offer vintage lenses?
Yes, we have curated selections of vintage glass including rehoused Cooke Speed Panchros, vintage Zeiss, and other classic lenses that give unique character and softer rendering.
What lens accessories do you include?
Lens rentals have protective cases, front and rear caps, and lens data cables where applicable. We can also give follow focus systems, lens motors, and wireless lens control matched to your package.
Related Services
Productions in Brazil that need this often pair it with Lens Filters, Camera Equipment Rental, and Camera Support Systems for full coverage. Most projects also draw on HMI & Tungsten Lights and Foley Recording Services.
On Set
Need Cinema Lenses?
Tell us about your project and we'll recommend the right glass.