Multi-Camera Production Services

Here is how this works in practice. Brazilian multi-camera workflow runs deeper than almost anywhere on the continent. Globo Estúdios PROJAC in Rio (the world's largest telenovela operation since 1965) has been training six-, eight-, and twelve-camera live-shot crews for nearly six decades, and that bench feeds straight into our event and broadcast roster. Our standard packages run Sony HDC-3500 and HDC-5500 broadcast bodies on Vinten Vector pedestals, Grass Valley Karrera and Kayenne switchers, Riedel Bolero comms across camera, EVS XT-VIA replay servers for sports and Carnival, and EVS Xeebra goal-line verification for Brasileirão Série A coverage of Flamengo, Palmeiras, Corinthians, São Paulo, Vasco, Fluminense, and Botafogo.

Here is the breakdown. On the ground, Fiber-and-triax runs scale from the 8-cam corporate stage in São Paulo Vila Madalena studios to 30+ cam stadium ops at Maracanã, Allianz Parque, and Autódromo Interlagos. RioFilme and Spcine handle the city-side permits. ANATEL clears wireless frequency stacks before any cam-link or RF-camera goes on air.

Here is the short of it. The signature event calendar is the test bed: the Sambódromo Marquês de Sapucaí (Niemeyer 1984) Carnaval parade — the densest multi-cam live shoot Brazil produces, where Olodum, Ilê Aiyê, and Filhos de Gandhy blocos in Salvador run parallel. This covers plus Rock in Rio (since 1985, 700K+ attendance, the largest LatAm music festival, biennial), Lollapalooza Brasil at Autódromo Interlagos (since 2012), C6 Fest São Paulo, Tomorrowland Brasil in Itu (since 2015), F1 Interlagos São Paulo Grand Prix carrying the Ayrton Senna 1988/1990/1991 World Championship heritage, and the 1950 / 2014 World Cup + 2016 Olympics opening-ceremony venue at Maracanã.

Here is what that looks like on the ground. On the ground, our crews work to Globo-spec match-frame discipline, log timecode to EBU LTC, and ride a dedicated UPS + Honda EU70is power packs stack because Brazil's grid will trip a long event if you let it. Lei do Audiovisual and Lei Rouanet sponsorship structures get folded into the spend plan. CLT, FGTS 8%, and 13º salário are budgeted across each freelance line.