SCENE 01 / HIGH SPEED FILMING
High Speed Filming
Capture stunning slow motion with Phantom cameras and precision motion control in Brazil.
Here is how this works in practice. High-speed filming captures action at extreme frame rates, producing dramatic slow-motion footage that reveals details invisible to the naked eye. This technique powers Brazil's massive commercial sector — from São Paulo beverage and product campaigns to Rio de Janeiro automotive spots, football (futebol) and beach volleyball sports analysis, and creative sequences for Latin America's largest advertising market.
Here is the short of it. We source high-speed cameras from São Paulo and Rio rental houses, with the specialized lighting and data workflows these shoots demand. Our team sets up skilled operators at Estúdios Globo (Projac), Estúdios Quanta, BigBox Estúdios, and Locall — leveraging Brazil's up to 30% cash rebates (via RioFilme and SPCine) for qualifying shoots and long-standing high-speed commercial experience.
Capabilities
Complete High Speed Services
From Phantom cameras to Bolt rigs, we provide the specialized equipment and expertise needed to capture motion in extraordinary detail.
01
Phantom Cameras
- Phantom Flex 4K
- Phantom VEO series
- Up to 1000+ fps
- 4K resolution capture
- On-set technicians
Ultra High Speed
02
Motion Control
- Bolt high-speed rigs
- Precision robotic arms
- Tabletop motion control
- Repeatable moves
- Camera tracking sync
Robotic Precision
03
Technical Support
- High-speed lighting design
- Data management
- On-set color science
- Real-time playback
- Technical consulting
Expert Teams
04
Applications
- Product commercials
- Sports & action
- Scientific capture
- Liquid & splash shots
- Automotive filming
Any Subject
On Location
Phantom Flex 4K and Phantom VEO 4K-PL high-speed camera packages cross-border from Vision Research LA for F1 Interlagos, Brasileirão Série A, UFC, and Carnival product work
Here is how this works in practice. Brazilian high-speed cinematography runs on cross-border inventory plus a deep domestic operator bench. Phantom Flex 4K + Phantom VEO 4K-PL + Phantom Miro LC321S packages cross border from Vision Research LA on direct GRU / GIG flights inside 12 hours. This pairs with Brazilian DITs and Phantom-trained 1st ACs from the ABC (Associação Brasileira de Cinematografia) roster who have shot F1 Interlagos São Paulo Grand Prix telemetry slow-mo, Brasileirão Série A goal-replay at Maracanã + Allianz Parque, UFC and boxing night fight-impact slow-mo at Allianz Parque + Jeunesse Arena Rio. Plus commercial product work for Itaú, Bradesco, Vivo, Magazine Luiza, Natura, Skol, Brahma, Heineken, and Havaianas. Sony FX9 240 fps and ARRI Alexa 35 / Alexa Mini LF 120 fps cover the mid-range. RED V-Raptor 240 fps 8K and Komodo-X 120 fps cover documentary and sports b-roll. Cross-border Sigma Cine LA backup direct GRU / GIG for primes and rigging.
Here is how the picture comes together. The Brazilian shoot calendar for high-speed runs heavy on motorsport heritage (Ayrton Senna 1988 + 1990 + 1991 F1 World Champion + Felipe Massa 2008 F1 runner-up + Nelson Piquet 1981 + 1983 + 1987 F1 Champion. This covers Interlagos São Paulo Grand Prix calendar since 1972), football culture (Brazil 5× FIFA World Cup champions 1958 + 1962 + 1970 + 1994 + 2002, Pelé / Ronaldo Nazário / Ronaldinho / Neymar / Vinícius Jr heritage, Brasileirão Flamengo / Palmeiras / Corinthians / São Paulo / Vasco / Fluminense / Botafogo), Carnaval Sambódromo Marquês de Sapucaí (Niemeyer 1984) February street-shoot impact work, and product / commercial Natura + Skol shoots.
On the ground, Lighting is ARRI SkyPanel S360 + Aputure LS 1200d Pro stacks for adequate stop-down at 240 fps + 480 fps + 1000 fps. Tropical humidity (80–95% Rio / Salvador) demands desiccant inside the housing. ANCINE / CLT / FGTS 8% / 13º salário budgeted. ANATEL clears wireless head control. Lei do Audiovisual + Lei Rouanet funding factor.
FAQ
High Speed Expertise
What frame rates can you achieve?
Here is the breakdown. Our Phantom cameras can capture up to 1,000+ fps at 4K resolution, with higher frame rates ready at reduced resolutions. We'll recommend the optimal frame rate and resolution balance for your Brazilian commercial, sports, or documentary shoot.
What's the difference between Phantom camera models?
Here is what that looks like on the ground. The Phantom Flex 4K gives the highest resolution at extreme speeds, while the VEO series gives great performance at a more easy to reach price point. We'll recommend the right camera based on your resolution, speed, and budget needs.
Do you provide Bolt or motion control rigs?
Yes, we work with Bolt and similar high-speed robotic camera systems through São Paulo and Rio rental partners. These are often combined with high-speed cameras for Brazilian beverage commercials, beauty products, and automotive campaigns.
What about lighting for high-speed filming?
High-speed cameras need significantly more light than standard filming. We design and supply flicker-free HMI and LED packages sized for your frame rate — whether at Estúdios Globo, BigBox, or on Brazilian location shoots.
How much data does high-speed filming generate?
High-speed filming creates very large files — a single take can be many gigabytes. Our DIT services manage this data workflow with proper backup, organization, and delivery in your needed formats.
What applications are best for high-speed filming?
High-speed filming excels for liquid and splash photography, product commercials, football and beach volleyball sequences, automotive footage, scientific records, and any subject where revealing hidden motion adds visual impact.
Related Services
Productions in Brazil that need this often pair it with Helicopter Filming, Aerial Drone Services, and Vehicle Mounting for full coverage. Most projects also draw on Director of Photography Services and Camera & Cinematography.
On Set
Need High Speed Filming?
Tell us about your slow motion requirements and we'll provide the right equipment and expertise.