SCENE 01 / LED WALL VIRTUAL
LED Wall Virtual Production
In-camera visual effects for your Brazilian production.
Here is how this works in practice. LED wall virtual production uses large LED display volumes to project real-time rendered environments behind performers, replacing traditional green screen with photorealistic in-camera backgrounds. Brazil's two main production hubs — the Globo ecosystem in Rio de Janeiro with 13 recording studios at Projac. The São Paulo cluster around Estúdios Quanta, BigBox and O2 Filmes — host the country's growing virtual production capacity.
Here is the short of it. We connect you with LED wall facilities and Unreal Engine teams in Rio and São Paulo, supported by post houses including O2 Filmes, Casablanca/Teleimage, Estúdios Quanta and Cinecolor Brasil. Our team sets up stage booking, virtual art department resources, ANCINE production sign-ups and Rio's 30% cash rebates so your production has a complete ICVFX pipeline backed by skilled Brazilian crews.
Capabilities
Virtual Production Services
Complete LED wall production from environment creation to shooting.
01
LED Stages
- Partner studio access
- Custom configurations
- High-resolution walls
- Curved displays
- Ceiling integration
Premium Facilities
02
Real-Time Engine
- Unreal Engine
- Custom environments
- Asset creation
- Live tracking
- Interactive control
Real-Time Content
03
Production Support
- Virtual art department
- Technical supervision
- Camera tracking
- Color science
- Lighting integration
Full Service
04
Applications
- Location replacement
- Driving scenes
- Sci-fi environments
- Period recreations
- Impossible locations
Any World
Next-Generation Filmmaking
Capabilities
Our Process
Pre-Visualization
Developing virtual environments and planning camera moves with real-time visualization.
Asset Creation
Building detailed 3D environments optimized for LED wall display and camera capture.
Stage Setup
Configuring LED wall, camera tracking, and lighting for your specific needs.
Production
Shooting with real-time environment control and on-set adjustments for perfect results.
On Location
Brompton + ROE Visual LED Volume stages at O2 Filmes São Paulo, Globo Estúdios PROJAC Rio, and Casablanca Studios with Unreal Engine 5 + Disguise vx 4 + Mo-Sys + Stype camera tracking
Here is how this works in practice. Brazilian LED Volume capacity has scaled from zero to feature-grade from \1021 and 2025. The country's primary stages are O2 Filmes São Paulo (Fernando Meirelles's firm, full ICVFX virtual-production stage), Globo Estúdios PROJAC Rio (the world's largest TV operation since 1965 — emerging virtual-production pipeline integrated with telenovela floor), Casablanca Studios São Paulo, and Estúdios Mega Rio. LED panel inventory runs ROE Visual Black Pearl BP2V2 + Carbon CB5 + Diamond DM2.6 at 1.5 mm / 1.9 mm / 2.6 mm pixel-pitch, driven by Brompton Tessera SX40 processors with Brompton Hydra calibration. Control runs Disguise vx 4+ / Designer media servers with Unreal Engine 5.4+ (Niagara, Lumen, Nanite). Camera tracking is Mo-Sys StarTracker / VP Pro, Stype RedSpy + Kit, and Ncam Mk2. Cameras are ARRI Alexa 35 / Alexa Mini LF, Sony Venice 2 Rialto, and RED V-Raptor with full Signature Prime / DNA LF / Master Prime glass.
Here is what that looks like on the ground. The Brazilian LED Volume commission catalogue dominates streaming originals for Netflix (Globo-distributed Padilha and Mendonça Filho work, Salles I'm Still Here 2024 Best Foreign Lang Oscar nom 2025 supporting pipeline), Globoplay first telenovela exteriors, Disney+ regional shoots, Prime Video originals, and high-end automotive + cosmetic commercial work for Itaú, Bradesco, Vivo, Natura, Skol, and Havaianas. Cross-border integration runs through ILM Stagecraft + Pixomondo LA partnerships when feature loadouts exceed local stage capacity. Finishing flows through Quanta Post São Paulo (Brazil's dominant VFX + DI house), O2 Pos, and Conspiração Filmes Rio. ANCINE / Lei do Audiovisual Article 1A/1B/1B-bis / Lei Rouanet / FSA funding structures budgeted. State rebates from Lei do Audiovisual Paulista, Rio Filme Decreto, Pernambuco / Bahia / Ceará / Minas Gerais layer in. CLT / FGTS 8% / 13º salário across freelance. ANATEL clears any wireless camera-tracking link.
FAQ
Frequently Asked Questions
What is LED wall virtual production?
LED wall virtual production (also called ICVFX - In-Camera Visual Effects) uses large LED displays to show real-time rendered environments behind actors. The camera captures both performers and background in-camera, giving realistic lighting and reflections.
What are the advantages over green screen?
LED walls give realistic lighting that illuminates actors naturally, capture accurate reflections in eyes and surfaces, and allow actors to see the environment they're performing in. Results are captured in-camera, reducing post-prod VFX work.
What kind of environments can you create?
Here is the breakdown. Virtually any environment—from authentic Brazilian locations such as Rio's beachfront, the Amazon rainforest, the Pantanal wetlands and Salvador's colonial centre to sci-fi worlds and historical periods. Environments can be built from photogrammetry of real Brazilian sites or designed in Unreal Engine by O2 Filmes or partner VFX houses.
Do you have LED stages in Brazil?
Yes. We work with virtual production capable studios in Rio de Janeiro and São Paulo. This includes stages within the Estúdios Globo, Quanta and BigBox complexes, and can set up short-term LED volume installations when a custom setup is needed.
How does camera tracking work?
Camera tracking systems measure the camera's exact position and rotation in real-time, allowing the virtual environment to respond with correct parallax as the camera moves. This creates convincing perspective shifts.
What's involved in pre-production?
Virtual production needs major pre-production—building digital environments, planning camera moves, and tech setup. Starting early allows time to develop assets and iterate on creative decisions.
Related Services
Productions in Brazil that need this often pair it with Virtual Production, AR Production, and Motion Control Filming for full coverage. Most projects also draw on Cinema Lens Kits and TV & Film Production Services.
On Set
Ready for Virtual Production?
Tell us about your project and discover what's possible with LED wall production.