national museum Museum Rio de Janeiro - filming location in Brazil

SCENE 01 / POST PRODUCTION AUDIO

Post-Production Audio

Professional sound editing, ADR, Foley, and mixing for film and TV productions.

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Here is how this works in practice. Post-prod audio transforms raw location recordings into a polished, immersive soundtrack. With access to top post facilities like Estúdios Quanta in São Paulo and Estúdios Mega in Rio, we connect you with engineers skilled in Portuguese-language ADR and dubbing. This phase covers dialogue editing, ADR, sound design, Foley, music scoring, and final mixing, all working together to create the layered audio experience that supports and boosts the visual storytelling.

Here is the short of it. We connect you with post-prod audio facilities and engineers across Brazil who deliver broadcast and cinema-standard results. Our team sets up the full audio post workflow from dialogue cleanup through final mix, working with facilities including Estúdios Quanta, Estúdios Mega, and top facilities across São Paulo and Rio de Janeiro, making sure your project meets tech delivery needs and creative expectations.

Capabilities

Complete Audio Post Services

We provide full-service post-production audio from dialogue editing through final mix, delivering polished soundtracks that enhance your visual storytelling.

Dialogue Services

Production dialogue editing
ADR recording and direction
Dialogue cleanup and restoration
Lip-sync and dubbing
Multi-language versioning

Clear Dialogue

Sound Design

Creative sound design
Ambient atmosphere creation
Sound effects editing
Worldizing and processing
Signature sound development

Immersive Sound

Foley Services

Foley recording stages
Experienced Foley artists
Custom prop libraries
Sync and editing
Surface and movement coverage

Physical Presence

Final Mix

Theatrical and broadcast mixing
Dolby Atmos and immersive formats
Stem delivery
Quality control and mastering
Multiple version delivery

Polished Delivery

On Location

Pro Tools Ultimate + Dolby Atmos / 7.1.4 mix stages, ADR / Foley rooms, and Portuguese-language dubbing pipelines through Quanta Post, O2 Filmes, Globo Estúdios, and JLS Estudios

Here is how this works in practice. Brazilian post-prod audio runs to global feature standard with deep specialisation in Portuguese-language dubbing. This covers the dub-market here is the largest in Latin America and feeds Disney+, Netflix, Globoplay, HBO Max, Prime Video, and Apple TV+ originals. Our mix-stage partners have Quanta Post São Paulo (Dolby Atmos certified), O2 Filmes São Paulo (Fernando Meirelles's firm, full 7.1.4 + Atmos), Globo Estúdios PROJAC Rio (largest dub-and-mix engine in the country since 1965), Casablanca Studios São Paulo, JLS Estudios Rio, and Estúdios Mega Rio.

Here is how the picture comes together. On the ground, Pro Tools Ultimate runs on Avid MTRX / MTRX Studio I/O, Dolby RMU on Atmos rooms, full Pro Tools Carbon DSP for ADR, and Avid S6 / S4 / S1 control surfaces. Plug-in stacks run iZotope RX 11 Advanced, FabFilter Pro-Q 3 / Pro-L 2 / Pro-DS, Soundtoys Echoboy / Decapitator, McDSP SA-2 / DE555, and Sonnox Oxford Inflator + Limiter v3 across mix targets.

Here is the short of it. Brazilian sound design has a distinctive heritage — the Cinema Novo soundscape from Glauber Rocha's Black God White Devil (1964) through the urban-density mix work on City of God (Meirelles 2002 — 4 Oscar noms incl. Best Director, Cesar Charlone Best Cinematography), Tropa de Elite (Padilha 2007 Berlin Golden Bear), Narcos (Netflix Padilha-created), Bacurau (Mendonça Filho 2019 Cannes Jury Prize), and I'm Still Here (Salles 2024 Best Foreign Lang Oscar nom 2025).

Here is what we have to work with. On the ground, Portuguese-language ADR rooms run Sennheiser MKH 416, Schoeps CMIT 5U, and Neumann U 87 Ai standards with proper acoustic treatment to handle Portuguese sibilance and nasal-vowel intelligibility. Foley pits cover footwear-on-cobblestone (Pelourinho Salvador UNESCO 1985, Paraty UNESCO 2019, Ouro Preto UNESCO 1980), wood-and-tile interior surfaces (Niemeyer Brasília UNESCO 1987 modernist work), and Amazon jungle ambient layers. ANCINE sign-ups + Lei do Audiovisual Article 1A/1B/1B-bis funding structures + FSA reporting + Lei Rouanet sponsorship credits all factor into the deliverable spec.

FAQ

Post-Production Capabilities

What post-production audio services do you provide?

Here is the breakdown. We give complete post-prod audio including dialogue editing, ADR recording and direction, sound effects editing, Foley recording, sound design, premixing, and final mix. We can handle your entire audio post pipeline or give specific services as needed.

Do you have ADR recording facilities?

We set up ADR sessions at pro recording studios across Brazil. We can arrange director-supervised sessions, give ADR oversight, and handle remote talent recording. Our facilities accommodate person actors through ensemble recording.

What delivery formats do you support?

We deliver in all common formats: stereo, 5.1 surround, 7.1, and Dolby Atmos/immersive audio. We prepare theatrical prints, broadcast masters, streaming deliverables, and many versioning as needed. We know specific platform needs and QC specs.

Can you work with international productions?

Yes. We often work with global shoots filming in Brazil or needing Brazilian post-prod services. We give remote session skill, know different tech specs, and can set up across time zones.

Do you handle multi-language versioning?

We give multi-language audio services including dubbing planning, M&E preparation, and language version mixing. We can set up voice talent, manage translation workflows, and deliver localized audio for global distribution.

What about working with our existing post team?

Here is what that looks like on the ground. We're flexible in how we integrate with your post-prod workflow. We can handle complete audio post, give specific services to supplement your existing team, or work with your preferred editors and mixers on specific aspects of the work.

Productions in Brazil that need this often pair it with Boom Operators, Location Sound Services, and Wireless Audio Systems for full coverage. Most projects also draw on Thermal Imaging and Volumetric Capture.

On Set

Start Your Audio Post

Tell us about your project and we'll discuss how our post-production audio services can help.

Discuss Your Project